Sunday, January 16, 2011

"The Ricky Gervais Show": Insane Ramblings of a Perfectly Circular Headcase

For a few years now, Ricky Gervais, Stephen Merchant, and Karl Pilkington have sat down to have some pointless conversations. Since 2010, HBO has animated them. On the eve of their second season, HBO has released the first season of discussions on DVD. They are much less Ricky Gervais: The Animated Series and much more The Ramblings Of Three Brits.

Ricky Gervais is, most likely, the only one of the three that most Americans could even recognize; he starred in the British version of The Office, has had a few roles in movies and cameos in television shows, but hasn't become an iconic figure in Hollywood, despite that being a goal in Extras. Stephen Merchant is his buddy, co-writing and co-starring in many productions, such as playing the agent to Ricky's actor in Extras. Karl Pilkington, the odd one out and nearly the star of this podcast series, is a friend and producer, and by many accounts, quite possibly a madman of the kind who believes that babies should pop out of the elderly when they die at the set age of 78.

Therein lies much of the drive for the series. The purported insanity of many of Karl's beliefs and streams of thought become the focus of most of the series; the intro to each episodes epitomizes this with Ricky and Steven just wanting to listen to Karl's comments. The comments are so insane at times that, reportedly, Ricky and Stephen have had to maintain that Karl is not a character they've created, and pointed out that it takes them a year to write six episodes of television.


Throughout each episode, they go through recurring segments. Usually they start with a point of discussion or fan question, threading to an update on Monkey News from around the world, and later in the season adding excerpts from Karl's diary (once they discover that a tome of such madness exists). There's no plot or adventures, just bits of discussion with recurring jokes. Much as with Shorties Watching Shorties, the animated format allows the hypothetical or referenced situations to be animated with much comedic styling.

The series is a hard beast to review using traditional benchmarks. There's no soundtrack to speak of, no voice acting to criticize, no script to bemoan or praise, and honestly, very little animation to nitpick. What is there are funny comments and observations, and the bizarre thoughts of Karl Pilkington contrasted against the arguments of Ricky Gervais and the intrigue and teasing of Stephen Merchant. The discussions are entertaining, but when they hit a dry patch, they can stay there for a few minutes. Still, the discussions are above average, even if at times they can amount to not much more than great background noise.


The design work is award winning, though honestly, it's a little hard to see why. True, there are no real faults: monkeys are monkeys, the two actors you've seen from British television are recognizable once you see them morph from live-action to animation, and that perfectly circular head is perfectly circular. If anything can be said about the designs it's that they seem to echo The Flintstones and The Jetsons at times, almost as if the designers had studied at Hanna-Barbera Studios.

Disappointingly, there are only two extras: an animatic for one episode, and a promotional piece done for a charity program. Sure, commentary on what amounts to commentary would be a little redundant, but some insight on what goes into the production of the podcast, HBO promos, or anything would have really added quantifiable material to a qualitatively-driven show. Given the digital age we live in (and this show is a by-product of), it's almost surprising that a download of the equivalent episodes of the audio podcast (presuming these segments were recorded as such) wasn't included with a redemption code.

What's there is quality: the transfer looks great, the audio sounds fine (excepting one or two places where you have to rewind to catch what a heavily accented Brit actually said), and the two extras are worth a run through. Still, you can fly through the set in a day or two. It's a great little diversion, but much like listening to your friends ramble on about something, the occasional funny comment or joke doesn't make it any more of an actual story. It's worth checking out, but no rush to get to or through.
For more info- http://www.toonzone.net/news/articles/36067/the-ricky-gervais-show-insane-ramblings-of-a-perfectly-circular-headcase

Thursday, December 30, 2010

NEW COMICS DAY Twitterama - YOU Review Comics!

It's the last New Comic Book Day of 2010, and in a shocking twist, comics are indeed on sale today — no delay because of the Christmas holiday. It's like one last present! For previews of this week's comics, including exclusive looks at Teen Titans #90 and Justice Society of America #46, just head over here.

J. Caleb Mozzocco has his inimitable look at new releases in the form of ‘Twas the Night Before Wednesday... over on Blog@Newsarama, this time around looking at diverse offerings including the trade paperback collection of Mark Waid and Andy Kubert's Ka-Zar, plus Hellboy: The Sleeping and The Dead.

The Illuminati are back in Avengers #8, but it looks like that may not be a good thing — either for them or the rest of the Marvel Universe. Also at Marvel, Shield #5 is the latest from that bimonthly book, X-vets Chris Claremont and Louise Simonson team for Chaos War: X-Men #1, and Anya Corazon gets a sophomore issue with Spider-Girl #2.

DC? Why, they've got the first issue of the David Finch-written, David Finch-drawn Batman: The Dark Knight #1, and the travels of Lex Luthor continue with Action Comics #896 — and hey, Flash #8 is out, another new issue of that title, that had been lagging behind schedule-wise.

Hey, there's more: Top Cow's debuting Echoes #1, IDW wraps their True Blood miniseries with #6, and a beloved Archie character says goodbye in alternate timeline magazine-format book Life With Archie #6.

If weather is permitting you to leave your house, here's what you should do: buy some comics, read them thoroughly, get on Twitter (Don't forget to follow us!), and let the world know your 140-character-or-less thoughts on this week's releases. Just add the hashtag:

#RamaRev

and it'll go into our stream right here! So share your thoughts, spread the word, and let's talk comics!
For more info- http://www.newsarama.com/comics/comics-reviews-twitterama-101229.html

Tuesday, November 16, 2010

Archie's Theme

Everybody sing!
For more info- http://comicallyvintage.tumblr.com/

PICTURE OF THE DAY

I pinched this from The Oatmeal.

For more info - http://www.berkeleyplaceblog.com/2010/11/16/picture-of-the-day-457/

Aaron's Comic Books Blog

I would have to say that my iPad is without a doubt the coolest tech gadget that I have owned. I have found many uses for it in my day job, around the house, and for entertainment. The uses are quite staggering, even without a keyboard (keeping my fingers crossed for a wireless keyboard for Christmas though), and I find it in many respects much more versatile than my laptop. I would have to say though that the laptop is still my go to device for anything writing related.

For comic reading, it is a lot of fun. There couple of main ways of reading comics on the iPad, through a PDF or panel by panel with some applications, and both have their merits. The PDF reads much more like your traditional paper comic, but the panel by panel format really adds an extra bit of presentation to the mix. Again, as I have said before, I really don't think digital comic books will replace paper ones as there just isn't any collectability with digital comics and so many fans don't wish to make that jump. That being said,  I do truly see this as the next frontier in the world of comic books and think this will be a great way to make new readers as touching something on the screen to order a comic is a lot easier for someone to do than to drive down and purchase one in the store.

That leads to the real problem with digital comic books which will be the impact they have on our brick and mortar stores. As more and more get their fix via a digital platform, many stores could easily suffer from lack of sales. I don't really have an answer for stores other than to try to diversify their revenue streams as the digital comic book is here to stay and will only continue to grow.

For more info - http://comicbooks.about.com/